Stephanie Pau | Artist and Designer

Paper pulp was here. (2023)

The process is the art, in this case, the process of making paper from plants for use in my printmaking work has made these marks.

Medium: An installation - natural pigment on calico, on a washing line.

Size: 88 x 100 cm approx for the dyed cloth

Healing from Trauma (2023)

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Made from reclaiming pieces of oak that were found with damage inflicted by metal at some point, as evident from the blue stains - a reaction the oak creates.

Medium: Sculpture

Size: 20 x 20 x 48 cm approx.

Decay (2023)

Decay is a complex image - a collage of a portrait of a decaying tomato plant, framed in an eclectic but not accidental collection of warped and neat wood.

Medium: An assemblage - ink, art catalogue from 1999 and wood

Size: 80 x 130 cm approx

Sustainability Bonsai (2023)

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A sculpture

Medium: plastic packaging waste material, found twigs and scaffolding board.

Size: <measuring>

The Scream (2023)

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A collograph, edition of 6.

Medium: Collograph made from reclaimed packaging, framed by a reclaimed plastic hook

Size: <measuring>

Goedmorgen (2023)

An installation of Goedmorgen (2023).

Goedmorgen has an edition size of 4.

Medium: A collograph made from used packaging from morning routines, open to be cut into unique installations/assemblages.

Size: varies depending on the cut.

Nature is green. (2023)

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A collograph, edition of 6.

Medium: Collograph from reclaimed packaging materials, framed in a reclaimed plastic bag

Size: <measuring>

Four Seasons (2023)

A series of collographs

Medium: Collograph and Reclaimed plastic bags

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Aliens, various numbers (2023)

A series of unique collographs, numbered by dots and dashes,

like Aliens 。。'

Medium: Collographs, framed in reclaimed materials - cleaned plastic trays and canvas frame as found.

Size: various, depending on the size of the plastic tray found.

Upside-down chair (2023)

An installation, in use.

Medium: Reclaimed and offcut timber, broken chair

Size: <measuring>

Unstable Table (2022)

An installation, in use.

Medium: Reclaimed and offcut timber, new plywood, clamps

Size: 118 x 90 x 70cm

Portraits of Assemblage Creatures (2022)

A series of six collographs, with images made from everyday plastic waste, each with a frame made with reclaimed wood.

Esoterraria-p (2022)

Installation, in which a 12-hour participatory and durational performance took place

Medium: Reclaimed plastic tube from a previous exhibition, plastic waste that has been collected and cleaned over 1.5 years and 12 hours of visible labour.

Size: 2 x 2 x 2 m